The stylistic developments of Craig Cameron-Mackintosh's latest works have been brought into focus in the Artsy editorial 'Contemporary Painters Are Using a Hazy Aesthetic as a Window to the Past' by Josie Thaddeus-Johns.
Looking at the history of the transcendental blur, alongside contemporary applications of this technique to convey atmosphere, Thaddeus-Johns focuses on Cameron-Mackintosh as he uses this new soft-focus style to share moments from the past.
The article discusses his body of work, reflecting: "Looking back on these prior experiences [are like] like looking through a fogged-up glass, something familiar and yet incomprehensible at the same time."
Read the full article here.
